weruyapai

Wauja

Pronunciation

IPA^(key): /wɛˈru.ja.paɪ/

Verb

weruyapai

(stative) he/she/it is yellow (in color)
[Itsautaku:] Ojonainhapai kajutukalu wi han!

[Mukura:] WEK-e-pe!

[Itsautaku:] Ojonainhapai yiu han. Itsapai katihan. KajutuKALuwi. Mohonjapai ojonain ipitsi miu. Mohonjapai ojonain owananainyein yiu. Mohonjapai ojonain ipitsi miu.

[Mukura:] Okuapitsa.

[Itsautaku:] Katanainhapai weruyapai ipitsi whun. Katanainha mo ... HONjapai, ojonain hyan moHONjapai ojonain — iyukulatoyein yiu. MoHONjapai. Katanai weru—[rubs face]—yapai kalaiyiu whun, mapa isitya ou whun, mapa isitya ou whun. Mapa isitya... Itsakala putakapai kala sekunya, kala weru-YA-pai. Itsapakala akainya pumapai ipitsi, isitya. Ehen. We-RU-ya-pai. Awojotakutiu.
[Storyteller:] Right around these parts is [the very same] frog!

[Listener:] Really BIG!

[Storyteller:] Right around here. [It] is like this [indicates size]. [A big old ugly] frog. [The adjectives are implied by his emphatic use of a tone for the grotesque or repulsive.]

[It] is red [all over] here [speaker gestures to indicate his biceps]. [It] is red here [from] its former [red macaw-feather] armbands. [It] is red here, as well [indicates his legs].

[Listener:] Its [former] leg bindings.

[Storyteller:] There [it] is yellow [indicates his face]. There [it] is all ... RED, here it is RED — its former body paint ... Red. Here [it] is really yel— [rubs his palms down over his face, showing how the honey poured down over the face of the man who drowned] —low from [the] beebread. From [the] beebread. [The] beebread.

[Aside to anthropologist:] [It] is [the] very same [stuff] you tasted long ago, that [golden] yellow [stuff]. "Tastes like piqui mash," you remarked about it, [about the] beebread. [Sucks in breath.] Yes. Really yellow. [It] completely covered [that frog].

Usage notes

Wauja color terms can be either nouns or stative verbs. For example, the noun form of "yellow" is weruya. When the suffix –pai (imperfective aspect) is added, it becomes a stative verb, weruyapai (lit., "is yellow"). This is not an adjective, because weruyapai can take a direct object pronoun, as in the example below:

Weruyapai ojonain ipitsi miu.

[He/she/it] is yellow here also. (Lit., Is-yellow + here + to-he/she/it + also).

This stative verb + direct object construction is common in Wauja, as in the example below, using the verb awojopai ("is good"):

Awojopai nipitsi.

[He/she/it] pleases me. (Lit., [He/she/it] is good to me.)

The subject is typically unstated in such constructions, as in the examples above. The subject may, however, be stated for emphasis, or if it is not clear from context.

The Wauja use weruyapai to refer to yellow color that is strong and saturated, and neither dark nor pale, such as the yellow feathers of the Blue-and-yellow Macaw (Ara ararauna).
Beebread (mapa isitya, lit., honey excreta), described in the quote as being weruyapai (yellow), is a mixture of honey, pollen, and secretions from the brood nurse bees, who feed it to the honey bee larvae. The beebread undergoes lactic fermentation in the honeycomb, resulting in a delicious bittersweet yellow-brownish paste.
In this brief excerpt from the traditional story, "The Man who Drowned in Honey" (Paistyawalu), a cruel husband is drowned in honey and transformed by his wife into a frog. This species of frog (Leptodactylus latrans), is described by the Wauja as particularly large and ugly. It can be heard croaking in the season when the piqui fruit falls from the trees. The storyteller points out that this species of frog still bears traces of the events of ancient times: it has reddish markings on its arms and legs, where, in its human incarnation, it once wore red macaw-feather armbands and red body paint. This frog also has faint streaks of golden yellow extending backward from its head, a testament to the fate of the man who drowned in honey.

Related terms

weruya (“yellow color or pigment”)

References

"Ojonainhapai" (transcript p. 31-32) uttered by Itsautaku, storyteller and elder, recounting the traditional Wauja tale of the "Man Who Drowned in Honey" (Paistywalu), in the presence of his adolescent son Mayuri, adult daughter Mukura, and others. Recorded in Piyulaga village by E. Ireland, December 1989.