1999 November 5, Peter Clinch, “Re: Looking For a Backpack”, in rec.backcountry[1] (Usenet):
Don't buy a [back]pack with loads of extra kitchen sinky bits unless you'll be using them frequently.
2007 — John Quijada, "Re: Aesthetics", Conlang Mailing list archives, 23 October 2007:
It is not kitchen-sinky if we understand a kitchen-sink not simply [as] a language very loaded with various grammatical and phonological features but only a language where they are only for their own sake and don't make a functional system together.
2011 — Nancy Deville, Healthy, Sexy, Happy: A Thrilling Journey to the Ultimate You, Greenleaf Book Group (2011), →ISBN, unnumbered page:
I'm sure there are subjects I could have covered, but I didn't want it to get too kitchen-sinky.
"How to Read a Word" includes quite a bit of related material, including a slightly kitchen-sinky collection of "word stories," investigating words such as wordhoard, skulduggery, and yes, lexicographer; […]
Adjective: "of or pertaining to kitchen sink realism"
It's difficult to say whether this kitchen sinky melodrama is inherently political because it was made in Israel by an Israeli filmmaker and is about a contemporary Israeli family.
2007 — Stephanie Bunbury, "Tide and emotions", The Age, 29 April 2007:
"Here was a kid who was imagining things and inventing things and none of this was odd to her, mum and dad being junkies. I didn't want to comment; I just present the story. And I didn't want to be too kitchen-sinky, because it's a heightened reality."
Action does not necessarily mean oodles of sex and violence (though that's always good as far as I'm concerned, wahey); even the most kitchen-sinkiest drama has action in.
"With the supremacy of television and film, those who would have started with theatre, need to develop that muscle. They often need to think in more theatrical language which is less kitchen-sinky."
Lighting cues for John Lee Beatty's set of dark red apartment buildings -- "impressionistic yet realistic, not kitchen-sinky," the director says of his friend's work -- are put through their early paces.
"He takes this seedy little story of seedy little people in seedy little rooms, and he makes it big and operatic and grandiose. I love that. It could have all been documentary-like or a bit kitchen sinky, and all rough and tough. […]