2007, Gary R. Edgerton, The Columbia History of American Television, Columbia University Press (2007), →ISBN, page 86:
Formerly a child star in Hollywood, Helen Parrish was a high-spirited and eager-to-please "femcee," […]
2008, Christine Becker, It’s the Pictures That Got Small: Hollywood Film Stars on 1950s Television, Wesleyan University Press (2008), →ISBN, page 80:
Why was Emerson a failure in 1940s Hollywood but a blazing success as a femcee on early 1950s television?
2008, Catherine Gourley, Gidgets and Women Warriors: Perceptions of Women in the 1950s and 1960s, Twenty-First Century Books (2008), →ISBN, page 48:
In addition to radiating personality, a femcee had to sell products. When she wasn't demonstrating a kitchen appliance, as Furness did in commercials, a femcee often hosted game shows, where the prizes were wonderful new consumer goods on display in department stores and on supermarket shelves.
2015, Charles L. Ponce de Leon, That's the Way It Is: A History of Television News in America, The University of Chicago Press (2015), →ISBN, page 34:
Francis, a regular panelist on What's My Line?, was a poised and dignified “femcee,” and she also served as the program's managing editor.
2009, Dalton Higgins, Hip Hop World, Groundwood Books (2009), →ISBN, page 67:
[…] to arguably rap's greatest emcees Tupac Shakur and the Notorious B.I.G. and femcee Lauryn Hill.
2010, Steve Jones, "Listen Up: Thank God for Nicki Minaj's Pink Friday", USA Today, 22 November 2010, quoted in Felicity Britton, Nicki Minaj: Conquering Hip-Hop, Twenty-First Century Books (2013), →ISBN, page 38:
She's been featured on dozens of rap and R & B tracks, and she's the only femcee [female MC] currently on the rap charts.
2013, Shehnaz Suterwalla, "From Punk to the Hijab: Women's Embodied Dress as Performative Resistance, 1970s to the Present", in Oral History of the Visual Arts (eds. Matthew Partington & Linda Sandino), Bloomsbury Academic (2013), →ISBN, page 161:
Imagine listening to a female punk from the 1970s sharing dress experiences with a young British Muslim girl in hijab in 2011, who in turn compares notes with a 1980s black hip-hop femcee.
2014, Msia Kibona Clark, "Gender Representations among Tanzanian Female Emcees", in Hip Hop and Social Change in Africa: Ni Wakati (eds. Misa Kibona Clark & Mickie Mwanzia Koster), Lexington Books (2014), →ISBN, page 151:
The most well-known Tanzanian femcee to live abroad is Rah-P, who continues to live in Houston, Texas.
2019, "The style and the values of Priestess in the new Foot Locker campaign," NSS G-Club. December 16, 2019. [1]
Her style halfway between rap and trap, along with a recognizable and signature look, like the black bob and the artistic nail art, have made the femcee one of the brightest Italian talents of the last few years.
