[Tom Hiddleston:] Listen, I get letters from some of the Hiddlestoners, and it's some of the most articulate, eloquent writing I've ever read.
2013, Lilia Draime, "Of faith and fandom", The Irish Rover (University of Notre Dame), Volume 10, Issue 9, 7 February 2013, page 13:
Reminders of the more profound themes running through various plot lines encourage fans to find beauty in the ordinary and love themselves; it fosters a real sense of community among “Whovians,” “Sherlockians,” and “Hiddlestoners.”
Here are two more Thor: The Dark World banners, giving Hiddlestoners yet more Loki, and, er, Hopkinites a welcome dose of Odin.
2013, Amy Kim, "Sound and fury, signifying nothing", The Phoenix (Swarthmore College), Volume 138, Number 4, 26 September 2013, page 11:
True, their audiences may be composed more of Hiddlestoners and Cumberbitches than Shakespeare enthusiasts, but it all boils down to the fact that Shakespeare isn’t an outmoded author and that there is a reason why theatrical performances, analytical papers, and constant cultural references of his plays exist.
2013, John Naughton, "Major Tom", GQ, November 2013:
It's a question that seems to exercise a sizeable slice of internet with his dedicated army of "Hiddlestoners" - like their near-relatives, the "Cumberbitches" - prepared to fight to death on the point.
