2015, Molly Wetta, "Hip-hop, history and 'Hamilton", Lawrence Journal-World, 27 December 2015, page 4E:
But if you haven't yet fallen into "Hamilton" obsession, here are eight reasons to check it out (don't worry, if you're already #hamiltrash, I've got 10 things to keep you occupied until you can see the show – I'm counting down to Oct. 17, 2017, myself).
2016, Sarah Tipton, "I wanna be in the article where it happens", The Trinitonian (Trinity University, San Antonio), 5 March 2016, page 10:
If you are new or not a member of the Hamiltrash (what the fans are calling themselves these days), here is a crash course on what you need to know.
2016, Kelsey Mariano, "How Hamilton Revolutionized Theatre", Echoes (University of the Philippines Diliman), August 2016, page 75:
Kelsey Mariano is certified Hamiltrash and can sing the entire musical from start to finish.
2017, Kim Hoftijzer, "'I Have To Be In The Room Where It Happens...': An Exploration On The Role Of Social Influence And Digital Media In The Rise Of Hamilton From Sixteen Bars To A Cultural Phenomenon", thesis submitted to Radboud University, page 56:
It is interesting to observe how hashtags have allowed Hamilton and the self proclaimed #Hamiltrash to develop their own lingo, communicate about the show and about their lives using this lingo.
2018, Lais Vicente Baptista, "Acknowledgements", in "Methods for Improving Challenging DNA Profiles and Molecular Preservation of Soft Tissue Samples", thesis submitted the University of Central Lancashire, page xxx:
Thank you De Sempre, Descongela Mas Não Esquenta, NfBR, NICV, and my Hamiltrash friends.
